Teaching Newton’s Laws of Motion

GodfreyKneller-IsaacNewton-1689

GodfreyKneller-IsaacNewton-1689

Newton’s laws of motion were written more than 300 years ago and they are still in force.  But how do you teach them so they have impact on students, who often seem inert?

First you must ask yourself the question: Is Newton’s work still relevant in today’s high-tech world? For many years, physicists have been scratching their collective heads about how gravity can exist alongside of the other three forces of nature (electromagnetic, strong nuclear, and weak nuclear forces) because it is many factors weaker than the other forces — the 98-pound weakling at the beach, if you will.

Physicists at the University of Washington’s Eot-Wash lab are testing Newton’s Inverse Square Law at extremely minute distances, less than a hair’s width. In the program “Gravity” from Physics for the 21st Century, you’ll see their experiments and what they have learned. This law defines the force bodies have on each other at various distances. It gives students a glimpse into long-standing physics puzzles and the people working on them.

Students can test their understanding of the 2nd and 3rd laws by observing automobile collisions. You don’t have to go to the street corner and wait for two cars to crash, you can go to Learner.org’s student interactive Amusement Park Physics in the bumper cars section of the virtual park.  The bumper cars provide collisions between moving cars and cars at rest, with drivers of various masses. Students can predict the resulting motion after the collision and perhaps become more aware drivers in the future. (One can always hope.)

Newton’s laws of motion are explained with tabletop demonstrations that use CDs, balloons, eggs, and other common objects in workshop 7 of the Science in Focus: Force and Motion. Advance the video slider to about 29 minutes into the VOD at where you will also learn about how great thinkers from before Aristotle to Newton pondered the questions of the nature of forces and motion acting on objects.

Or you can visit Newton and Galileo in their studies as they work on their theories, in The Mechanical Universe…and Beyond program 6, “Newton’s Laws,” and get a feel for the times of both scientists whose names are synonymous with motion today.

These approaches to teaching Newton’s laws should give your students many ways to think about Newton’s simple and elegant set of rules for all matter.

How to Incorporate the Arts in All Subjects

Art is a valuable tool for students to learn how to express themselves, work through a process, work cooperatively, and gain respect and understanding for others. How can we teach the arts in all subject areas so that students benefit from the learning opportunities that art affords them? For more ways art instruction benefits students, read “Ten reasons why teaching the arts is critical in a 21st century world” by Elliott Seif.

Below are examples of the arts blended with other curriculum areas, helping students to draw out a deeper understanding and appreciation for both familiar and unfamiliar concepts.

Science

See art as a tool to make meaning of our relationship with the natural world in Art Through Time, program 10, “The Natural World.”

Seventh graders combine science, dance, and language arts as they compare the anatomy of a frog and a human and then debate whether a frog can join a ballet company. Connecting With the Arts Library, program 11, “Can Frogs Dance?” has the video and student materials.

Mathematics

Mathematicians understand symmetry differently than the rest of us, as a fundamental aspect of group theory. Learn more in Mathematics Illuminated, unit 6, “The Beauty of Symmetry,” which includes a symmetry interactive. Students can manipulate a wallpaper design to practice common geometric motions such as rotation and reflection.

Language Arts

Students explore Greek myths using puppets in Connecting With the Arts Library, program 2, “Breathing Life into Myths.”

Artifacts & Fiction, session 1, “Visual Arts,” shows how visual art, paired with literature, can be used to enhance students’ understanding of the predominant culture and historical setting of a work of literature.

Foreign Languages

Latin students learn the difference between translating and interpreting the language using music and literary works of Mozart, Vergil, and Cicero. See Teaching Foreign Languages K-12, program 24, “Music and Manuscripts.”

In Teaching Foreign Languages, program 29, “Interpreting Literature,” students discuss “Dos caras” (Two faces) by New Mexico author Sabine Ulibarri. They act out scenes and make comparisons to a painting by a local artist.

In program 27, “Interpreting Picasso’s Guernica,” students write and deliver radio newscasts interpreting the scene in the famous painting.

Social Studies

Fifth graders in The Arts in Every Classroom, program 6, “Teaching Visual Art,” view portraits, looking beyond the face for historical cues. They continue the lesson by creating new portraits that reveal clues to the lives of their subjects through clothing, expressions, and background.

Additional Resources:

To learn more about why arts education is important and how to connect the arts with big ideas in other subject areas, view Connecting With the Arts, program 2, “Why Integrate the Arts?”  and program 5, “What Are Connecting Concepts?”

These ideas just scratch the surface of all they ways arts instruction can be incorporated in other curriculum areas. Please feel free to share more ideas in the comments.

 

Directing Student Learning

As teachers, we sometimes have moments when we are confident the students are leaving the classroom prepared to tackle the homework, yet the work they bring back is inadequate. Where did our lesson go wrong or does the trouble lie within the students?

An explanation may be in the way we think about how students learn. Neural networks, which go hand-in-hand with learning new concepts, are built not in a linear fashion, but more like Russian nesting dolls. Children make connections with simpler skills and concepts and build outward to learn more complex skills and concepts.

Regression, often thought of as a negative step, is a natural stage in this skill-building process. Children must master the simpler skills first, and sometimes that requires them to go backwards and practice more.

Teachers help students build new connections when they scaffold instruction, providing children different levels of support until they are able to direct their own learning.  But often students regress at different stages as the scaffolding is taken away.

To further explore these ideas, visit unit 5, “Building New Neural Networks,” of Neuroscience and the Classroom. For example, in the section 6 video, Scaffolding: Johanna and Her Mother with Commentary, hear Professor Kurt Fischer explain how scaffolding occurs between mother and baby, and how scaffolding benefits students in the classroom.